Executive photographed on location during a City Lights corporate headshot day

How to Run a Large Team Headshot Day Without Chaos

September 29, 2026

A headshot day fails for scheduling reasons, not artistic ones. Forty people, one photographer, a conference room booked until three, and a chief executive who can only come at eleven. The pictures are the easy part.

Here is how we structure a large team day so it finishes on time and everyone gets a portrait they will actually use.

1. Start from the maths

Two numbers decide everything: how long a person takes in front of the camera, and how long they take in the chair.

Camera
5 to 8 minutes per person for a usable set of frames, more for executives who need options.
Hair and makeup
10 minutes per person for camera-ready grooming and touch-ups.
The rule
One glam chair feeds one camera comfortably at about 6 people an hour. Two chairs and two cameras double it without doubling the chaos.
A 40-person day
Roughly 7 hours with one camera and one chair. Under 4 with two of each.

If the room is only yours until three, the crew size follows from that, not from a budget line. This is the same call-sheet maths we use on a production.

2. Book in waves, not a list

Publish a schedule in blocks of six, fifteen minutes apart, with names in each block. Not a sign-up sheet, not a free-for-all. People arrive for their block, get groomed, get photographed and go back to work.

  1. Executives first, in the opening block, while everyone is fresh and the light is being watched most carefully.
  2. Two float slots an hour for the ones who will be late, because some always are.
  3. A wrangler: one person from your team whose only job is to keep the next block in the room. This single role saves an hour.
  4. Lunch as a hard stop, not a drift.
Photographer shooting a subject against a white studio backdrop on a content day
Two stations, one queue, one schedule.

3. Send the prep email

Three days ahead, to everyone being photographed. It should cover what to wear, when their block is, and that grooming is provided. The wardrobe list covers the clothing side; add grooming so nobody skips it thinking it is optional.

4. Set the room up properly

  • A glam station with a real mirror and power, near the camera but out of frame
  • A separate waiting area so nobody watches their colleague being photographed
  • A full-length mirror by the door, which catches more problems than anything else
  • Somewhere to hang jackets, so they arrive uncreased

5. Decide the look before the day

A company portrait set should look like one set. Agree the background, the crop and how polished the grooming should be, then hold it for every person. We include men's grooming by default: read men's grooming on camera for why that matters on camera.

We staff headshot days for teams of six to six hundred, in Tampa Bay and Chicago. Everything is included: grooming, touch-ups between frames, wardrobe help and the schedule itself.

Plan a team headshot day →

Questions HR and marketing teams ask

How long does a corporate headshot day take?

About seven hours for forty people with one photographer and one grooming chair, or under four hours with two of each. The chair, not the camera, is usually what sets the pace.

How many people can you photograph in an hour?

Around six per camera with grooming included, allowing for arrivals, wardrobe checks and a few frames each.

Should we provide hair and makeup for employee headshots?

Yes, and grooming for everyone rather than makeup for some. Ten minutes a person removes shine, evens redness and makes the whole set look consistent.

What is the biggest cause of a headshot day running late?

No wrangler. One person from your team keeping the next block in the room is worth more than any amount of extra kit.

City Lights Beauty Agency has staffed hair, makeup and grooming on location since 2006 for productions, brands and private clients across Tampa Bay, Chicago and Los Angeles. Florida Talent Agency License TA1765.

Paula Heckenast

Paula Heckenast

Founder & Creative Director, City Lights Beauty + Experiential Agency

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